脸谱颜代表意义双语
红：
象征忠义、耿直、有血性，如：“三国戏”里的关羽、《斩经堂》里的吴汉。
其他：有讽刺意义，表示假好人。

黑：
既表现性格严肃，不苟言笑，为中性，代表猛智。
如“包公戏”里的包拯；又象征威武有力、粗鲁豪爽，如：“三国戏”里的张飞，“水浒戏”里的李逵，“杨排风”中的焦赞。

白：
表现奸诈多疑，含贬义，代表凶诈，如：“三国戏”里的曹操、《打严嵩》中的曹操

蓝：
表现性格刚直，桀骜不驯。
如：《上天台》中的马武，《连环套》里的窦尔墩。


紫：
表现肃穆、稳重，富有正义感。颜代表的意义
如：《二进宫》中的徐延昭，《鱼肠剑》中的专诸。

金：
象征威武庄严，表现神仙一类角。
如：《闹天宫》里的如来佛、二郎神。

绿：
勇猛，莽撞。 如：《白水滩》里的徐世英。

黄：一般表现性格猛烈。如《南阳天》中的廉颇。 褐和粉红：表现比较正直的老人。
净角紫脸：紫介于黑红两之间，刚正威严的人物和忠义厚道的人物常用紫脸。如《鱼肠剑》中的专诸，《武科场》中的常遇春，《大保国》中的徐延昭，有些人物在小说或者民间口头文学中描述为紫脸膛，
因而使用紫脸，如《恶虎村》中的濮天雕，《招贤镇》中的费德功，《战长沙》中的魏延。有的人物用紫脸是为了与同台的其他角区别，如《百寿图》中的北斗星是相对于老生的南斗星，显得威武，而《柴桑口》中的庞统用紫脸膛是表示其相貌丑陋。
净角粉红脸：粉红脸一般象征年迈的红脸人物，如《取洛阳》中的苏献，《盘河战》中的袁绍，《四杰村》中的花振芳等。
净角绿脸：绿脸一般寓意为勇猛暴躁，与黑脸有相近之用意，有些占山为王的草寇类人物使用绿脸。如《白水滩》中的青面虎，《庆顶珠》中的倪荣，《失子惊疯》中的金眼豹，《响马传》中的程咬金等。
净角蓝脸：蓝一般表示刚强阴险，在脸谱中紫与绿的寓意相近，都是黑的延伸，表示性格刚强的人物，如《取洛阳》中的马武，表示人物阴险性格的如《薛家窝》中的谢虎，《剑锋山》中的焦振远，《连环套》中的窦尔敦等。
净角黄脸：黄脸寓意人物骁勇剽悍或凶暴残忍，如《车轮战》中的宇文成都，《洞庭湖》中的杨么，表示人物凶暴残忍性格的如《鱼肠剑》中的姬僚，《战宛城》中的典韦等。
净角金银脸：金银两在神怪脸谱中应用较为广泛，显示神仙的面现金光，鬼怪的青面獠牙，如《安天会》、《无底洞》、《蟠桃会》中的杨戬（二郎神），《红梅山》中的金钱豹，《攻潼关》中的金咤均勾金
脸，《攻潼关》中的木咤勾银脸。有的将官为表示英勇无敌也用金，用来助增脸谱的威仪，如《挑滑车》中的金兀术，《四平山》的李元霸，说到神怪脸谱，这里应该强调说明，前辈著名演员都反对把神怪脸谱勾画的稀奇古怪或阴森恐怖，不赞成把蛇蝎蜈蚣真实地画在脸上，更反对把骷髅等阴森形状画在脸谱里，他们认为这不但有损于舞台美的艺术原则，也使人看了胆战心惊，有害于舞台表演，是一种浅显的、艺术造诣不高的作法，虽然是神怪脸谱，也应该与人面相近。
净角瓦灰脸和赭脸：瓦灰与蓝在脸谱应用中意义相近，瓦灰脸如《芦花河》中的乌里黑，赭与紫的意义相近，如《彩楼配》中的月下老人、《铁笼山》的迷当。
净角淡青脸：淡青介于蓝绿之间的用意，如《卧牛山》、《单刀会》中的周仓勾淡青脑门， 周仓在《青石山》中用金脑门，表示其死后成神 。

脸谱是指中国戏曲（尤其是京剧）演员脸上的化妆图案，因为这些图案均有特定的规格，所以被称为脸谱。脸谱的作用是运用不同的彩和线条构成各种图案，以象征剧中人物的性格和各种特质，例如忠奸善恶等等。
red:
Symbol of loyalty, upright, bloody, such as: "Three Kingdoms" in the Guan Yu, "cut by the Church" in the Wu Han.
Other: irony, that fake good people.
black:
Both the performance of serious character, stern, for the neutral, on behalf of fierce.
Such as: "Three Kingdoms" in the Zhang Fei, "Water Margin" in the Li Kui, "Yang exhaust" in the Jiaozhan.
white:
The performance of treacherous suspicious, with derogatory, on behalf of the fierce, such as: "Three Kingdoms" in the Cao Cao, "playing Yan Song" in the Cao Cao
blue:
Performance character straight, rebellious.
Such as: "on the rooftop" in the horse Wu, "chain sets" in the Dou Er pier.
purple:
Performance solemn, stable, full of sense of justice.
Such as: "two palace" in the Xu Yanzhao, "fish sword" in the special.
Gold:
A symbol of powerful and solemn, the performance of a class of gods role.
Such as: "downtown" in the Buddha, Erlang God.
green:
Brave, reckless. Such as: "White Beach" in the Xu Shiying.
Yellow: the general performance of violent character. Such as "Nanyang days" in the Lian quite. Brown and pink: the performance of the more honest old man.
Net angle purple face: purple between the black and red between the two, just the majestic characters and loyalty of the characters commonly used purple face. Such as "fish intestines" in the Zhuo, "martial arts field" in the common sense of spring, "big country" in the Xu Yanzhao, some characters in the novel or folk oral literature described as purple face, and thus the use of purple face, Such as "evil tiger village" in the Pu Tian carving, "Zhaixian town" in the Fei De Gong, "war Changsha" in the Wei Yan. Some people with purple face is different from the other roles in the same table, such as "Baishou map" in the Big Dipper is relative to the old man's star, it is mighty, and "Chai Sang mouth" in the Pang Tong with purple face is said Its looks ugly.
Young corner pink face: pink face generally symbolizes the old red face figures, such as "take Luoyang" in the Su Xian, "Pan River war" in the Yuan Shao, "four Jie village" in the flower Zhenfang and so on.
Green angle green face: green face generally meaning for the brave and irritable, and the black face has similar intention, and some of the mountain for the king of the Kou Kou class characters use green face. Such as "white water beach" in the green tiger, "celebrate the bead" in the Ni Rong, "lost child crazy" in the golden eye leopard, "ring horse" in the Cheng Yaojin and so on.
Net angle blue face: blue generally strong and insidious, in the face of purple and green implied similar, are black extension, that character strong character, such as "take Luoyang" in the horse, that character insidious character Such as "Xue home nest" in the Xie Hu, "Jianfeng Mountain" in the Jiao Zhenyuan, "chain sets" in the Dou Er Dun and so on.
Such as "wheel war" in the Yuwen Chengdu, "Dongting Lake" in the Yang, said the character of violent cruelty, such as "fish sword" in the Ji Li, the young people face, "War Wan City" in the Dian Wei and so on.
The golden angle of gold and silver: gold and silver in the application of the more common in the mask, showing the gods face gold, ghosts of the green fangs, such as "Antronomical", "bottomless pit", "peach" in Yang Jian (Erlang God) , "Hongmei Mountain" in the leopard, "attack Tongguan" in the Jinzao are hook gold face, "attack Tongguan" in the wooden halter hook silver face. Some generals for the heroic invincible also used gold, used to help increase the mask of the dignity, such as "pick the trolley" in the gold Wushu, "Siping Mountain" Li Yuanba, when it comes to God strange mask, here should emphasize that the older generation famous The actors are opposed to the strange outline of the strange strange or gloomy, do not agree to the snake centipede really painted on the face, but also against the skeleton and other dark shap
es painted in the face, they think it is not only detrimental to the artistic principles of the stage beauty, But also people looked frightened, harmful to the stage performances, is a simple, artistic attainments is not high practice, although it is God strange face, it should be close to the human face.

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