如何保护中国戏曲英语作文
如何保护中国戏曲
英语作文
Speaking of how to protect Chinese opera? I think I can talk. China's Chinese opera resources are very rich. According to the statistics of the cultural department, there are about 300 kinds of opera forms recorded, and there are as many as 30 or 40 in Henan Province. However, with the development of society today, there are many operas. Forms begin to decline, even disappear. Is the traditional opera art not keeping up with the times? Or is there something wrong with the drama itself? I think both. I think the core of protecting Chinese opera lies in two points: one is to go to the people, to the people, and let the people fall in love with opera; the other is to be independent, to work hard from the artistic foundation and work, and to truly inherit the art. Let me talk about some specific measures to protect the art of Chinese opera!
1. Increase the publicity of opera art and make good use of the new media era. The main reason for the decline of opera today is the lack of propaganda. Whether it is Peking Opera or Henan Opera, they are in decline, but the degree is different. Henan Opera is very active in the country and even abroad, and the mass base is very good. The current development of Peking Opera seems to be A little less satisfying. I think the development of Henan Opera today is inseparable from the dissemination of Henan Henan Opera culture. As far as I know, there are activities such as "Pear Garden Spring", "Opera Going to the Countryside", "Opera Entering the Campus" and so on. They are all very good. Promoted the opera culture, I think this achieved the protection of traditional culture. Now is the era of new media, and platforms such as Toutiao, Xigua Video, Douyin, etc. can be used to spread the culture of opera.
2. Create a pattern of simultaneous development of private theater troupes and state-run theater troupes. Today, relying only on state-run troupes for the inheritance of opera culture is obviously not able to meet the needs of the common people. There are two reasons for this: one is that China is a country with a large population, and only relying on state-run dra戏曲作文
ma troupes cannot do anything; progress.
3. Break the original teacher-apprentice inheritance model and encourage the establishment of new inheritance models such as opera schools and opera training centers. We all know that cross talk actors are very particular about the inheritance of teachers. In fact, opera also attaches great importance to the inheritance of teachers. To say that this model is not good, it is not necessarily true. Generally, a teacher can lead a few at most about 100. Teaching by words and deeds, the effect of the right medicine is definitely much better than that of a large class. But the drawbacks are also obvious. The number of trainings is too small. Let's not talk about whether it can become a talent. If the development of opera is not good in the future, how many people can really insist on inheriting it? However, cultivating this model through the drama school does not necessarily have to be professionally cultivated. It is also acceptable for those who love drama. In this way, the mass foundation of drama will be laid down!
The above are some of my humble opinions, please criticize and correct me. I, like many o
pera practitioners and fans, sincerely believe that the traditional art form of opera can get better and better!

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